2019年07月31日，布洛克國際2019英國倫敦藝術品拍賣會（Habsburg International Auction of British）將於倫敦拉開帷幕。本季拍賣會為多年來給予布洛克國際鼎力支持和信任的新老藏家、布洛克國際拍賣有限公司官網www.blkpm.com
拍賣簡介： A brief introduction to the auction
Auction theme: Habsburg International Art Auction in London
Auction time: July 31, 2019
H:67.3cm C:22cm GBP:1270000
The device is six prismatic, skimming mouth, neck, shoulder arc belly, circle foot skimming for step shape, shape correct atmosphere. Hexagonal shape was first created in yongzheng and became popular in qianlong. The outer walls are covered with flowers, flowers and flowers . The shape of the whole machine is smooth and elegant, the body is delicate and firm, the glaze color is even and clean, the blue and white hair color is bright and pure and deep.
This bowl with coral red ground,elegant and noble,thin and firm and slippery body,the inner wall with white glaze,flowers and leaves ornament,warm and beautiful.The outer wall through coral red glaze,thick and even,beautiful as a gem .In addition,various kinds of enamel are painted on the flowers,flower branches fluttering,so as to color material shade change to show the Yin and Yang of flowers and leaves to highlight the three--dimensional texture of flowers.With the design and composition of the wonderful palace art style,it has been the court's favor.Yongzheng bowl bottom is blue and white,saying'Yongzheng Imperial System' four--character double--line script,because Yongzheng emperor was very fond of red emanel ware. This bowl is more rare in 'made' section rather than in 'year' section,but also reveals a closer relationship with the royal family.It's a very rare royal enamel color goods,with high investment collection value.
H:45.8cm C:12.6cm DB:14.5cm
The shape is regular and atmospheric, the foetal kaolin is refined and made, the glaze is warm and moist, the painting skills are exquisite and meticulous, the lines are smooth, the tire bottom ring foot aging trace is natural. "Qianlong years of qing dynasty" six - character style. This kangxi multicolored porcelain is characterized by the use of blue and black glaze colors, forming a red, green, yellow, black, ochre, blue and other color combinations. Because had deep tonal blue and black, make kang xi the colour contrast of multicoloured more harmonious, composed. When the blue color was burned in kangxi dynasty, it was deeper and more brilliant than the blue and white color, while the black color had the luster of black lacquer. The exquisite and vivid painting changed the painting style of the Ming dynasty, which only emphasized color without paying attention to rough modeling. Its painting is more uniform than Ming dynasty, outline the outline of the line with coke ink as materia l, strong strong, after using ink color material, smooth and soft brush. This utensil is also a rare large utensil, with very high appreciation space.
H:33.5cm C:5cm BD:11.8cm
此款大明成化年制麒麟駕祥雲青花鬥彩梅瓶！器型優美，胎薄體輕，釉脂潤，色彩艷麗！瓶內繪青花人物，工藝精湛，不失為成化鬥彩中的官窯精品！ This daming chenghua system kylin driving auspicious cloud blue and white bucket color plum bottle! Beautiful shape, light, thin body glaze fat embellish, colour is gorgeous! Blue and white figures painted inside the bottle, exquisite workmanship, can yet be regarded as chenghua bucket color in the fine kiln!
C:18cm H:48cm BD:18.5cm
This product is hexagonal shape, skimming, neck girdle, both sides of neck are decorated with perforating ears, shoulder folding, belly arc, foot micro - skimming. The body of six edges and corners up and down through the whole, forming style hard, smooth lines, ancient. The whole body is applied to imitate your glaze, the glaze color is faint and pale, thick as fat, warm and moist like jade, the inner color is bright and beautiful, the pieces are well-formed, quite old traces, the song people advocate the aesthetic idea of one color and pure in this ware can be perfectly displayed. Its modelling is ancient clumsy, natural and graceful inside collect, royalty USES the model of implement not to declare and open.
此爐直邊平沿口，短束頸，球狀腹，圜底，蹄形三足，肩置對稱沖天耳。器內滿施松石綠釉，勻淨厚潤。器外胭脂紅地描繪多層粉彩紋飾：口沿迴紋，頸部纏枝蓮紋，肩部如意云紋；腹部主題紋飾為纏枝蓮托八吉祥紋，上、下相錯排列，紋樣繁複，色彩絢爛，富麗堂皇；三鼎足飾纏枝蓮紋；兩耳中有長方形穿孔，正背面飾纏枝蓮紋，側面為迴紋。平口沿和圜底、足底邊則分別用紅、蘭料繪三角紋和卷草紋。所繪紋飾精細，一絲不苟，佈局繁縟而不失秩序，處處彰顯乾隆彩瓷之華貴與堂皇。口沿外側金彩邊框內以礬紅書寫“大清乾隆年制”六字橫款，篆法規整，結構嚴謹。 （微信：BLK1868）The straight edge of the furnace is flat along the mouth, short neck, spherical belly, bottom, hoof-shaped three-legged, shoulder-symmetrical symmetrical. The bowl is filled with sapphire green glaze, which is even and thick. The exterior of the carmine red paints a multi-layered pastel pattern: the mouth is along the back line, the neck is wrapped with lotus, the shoulder is like the moire; the abdomen theme is decorated with the stalked lotus eight auspicious lines, the upper and lower are arranged in a wrong pattern, the pattern Complex, colorful, magnificent; Sanding feet decorated with entangled lotus; two ears have rectangular perforations, the back is decorated with lotus stripes, the side is the back. The flat mouth and the bottom of the sole and the sole of the foot are respectively painted with triangles and rolled grass with red and blue materials. The paintings are fine and meticulous, and the layout is prosperous and orderly. The luxury and grandeur of Qianlong's porcelain are everywhere. The mouth of the mouth along the outer side of the golden color frame is written in blush with the six-character cross-section of the “Da Qing Emperor Qianlong System”.
C:5cm H:32cm BD:11.5cm
The bottle with blue and white red color depicting two pairs of play bead blue dragon shuttle between the clouds, blue and white hair color is pure, alum red color bright and bright, the overall structure of harmony, pleasing to the eye.
Youligong is extremely difficult to fire one of the varieties of Chinese ceramics history, it with copper red material for colorant painting on porcelain body, because of the characteristics of copper red is extremely sensitive and kiln reduction atmosphere within the artificial uncontrollable reason, its color deviation extremely easily, even some grain can fly in the kiln fire burned, therefore, as early as changsha kiln in tang dynasty the youligong technique is already appeared, but it was not until the yuan dynasty fire true success, to HongWuChao continue to mature, and a small climax.
龍紋威猛生動，底部以楷書“大清光緒年制”款。以粉彩繪成主題紋飾為龍紋，隙地上點綴祥雲，紋飾佈局疏朗有致，繪畫工細，色彩明快，The dragon pattern is fierce and vivid, and the bottom is the "Da Qing Guangxu Year System". The theme of the pastel painting is dragon pattern, and the auspicious clouds are dotted on the ground. The layout of the ornamentation is elegant and the painting is fine and the color iS bright.
C:11.9cm H:52cm BD:18.3cm
The basic shape of this bottle is round mouth, straight neck, ball belly, full round, thick, the whole body is full of gem blue glaze, uniform color, smooth, quiet and lively. View it, make people deeply feel the quiet and elegant glaze color, the form of luxury.
This bowl is elegant and dignified in shape, with strong and light in fetal quality. Lemon yellow glaze is applied inside and outside the whole body, which is bright, even and clean. This bowl is of special form, with a six-prism mouth and a large volume, which is extremely rare. The inside and outside of this bowl are all painted with lemon yellow glaze, even glaze color, clean and simple but elegant, the bottom is painted with white glaze, and the blue and white book " yongzheng year of qing dynasty" contains three lines of six characters and seal letters. Lemon yellow glaze is a low temperature glaze with antimony oxide as the main color agent. The "foreign yellow porcelain" here refers to the old material of yongzheng dynasty, which indicates that the lemon yellow glaze in the palace in the early years of qianlong is not enough, and the problem of shortage can only be solved by imitation firing. Otherwise, the lemon yellow glaze in the period of yongzheng is very limited, otherwise the emperor does not need to send special instructions to imitate it. In yongzheng royal kiln, the single color glaze is famous for its even and unpolished beauty, while the pastel is admired for its vivid beauty, elegant and soft beauty, representing the level of yongzheng porcelain.
Green tara is the incamation of avalokitesvara.This statue is a typical imperial style in Yongle period of Ming dynasty.It looks first--class，luang gold intact,elegant posture.The green tara's face is square,plump,regular and solemn.Wide shoulder girdle waist,the body proportion is reasonable,the shape is graceful,the upper body is bare ,the ring lottery chest,the lower body long skirt,the skirt plait is elegant and fluent.Lotus base without lotus bead lines,lotus petals wide and full,rich layers,delicate production,can be called a masterpiece.Fully in line with the characteristics of the Ming dynasty,it is a rare green tara statue boutique.It has the extremely high investment collection value.
Buddha Statue Description: The statue has a plump figure, a slightly flat face and slender eyes, especially the precious sculptures of the crown, collar, necklace and earrings. It is amazing that the eight knives on the base are well sealed and the cross- shaped macaroni is depicted in the central position. Looking at the whole body statue, it has perfect shape, solemn image, complex decoration, fine craftsmanship and typical Royal style, which embodies the distinct characteristics of Yongle Palace statue in Daming.
H:8cm C:14.8cm BD:13.3cm WT:3.83kg
Alms bowl explain: this alms bowl with sunken knock sound clear is made for fine copper, bowl body shape system regular carving delicate, two five claw gold dragon lifelike, the whole body gilt bright lighting people, can give a person a different feeling; Bottom paragraph "yutang qingwan" four words regular script dignified. This alms bowl is a rare and valuable vessel for royal use.
The mouth is open along the outside, before a long and narrow flow groove, groove slightly tilted, the back has a pointed tail, flow and mouth between a double column, column top decoration button, deep round belly, belly decorated with taotie grain, decorative exquisite, there are three cones under the long, the whole model beautiful.
This bronze dragon and phoenix inscriptions cup USES phoenix bird as cover and dragon-dragon as handle, and dragon-dragon as handle. Its neck and belly are shaped like gourds and there are three cones under its belly. The inscriptions in front of the cup belly are long and clear. Its decoration is based on practicality, and the pattern shapes of dragons and phoenixes are ingeniously combined on utensils, which not only increases the interest of vessel shapes, but also achieves the realm of dragons and phoenixes.
This new seal of tian huang shi is large in size, dense, delicate, warm and smooth in texture. What is particularly striking is that the surface is covered with golden stone skin, and the muscle can be seen faintly in the shape of radish grain , with red lattice, which is the best in tian huangshi. After the qing dynasty seal engraver wu renzhi's careful carving, can be called priceless rare treasures.
Rhinoceros horn pot body to embossment hollow carving techniques carved pine, pine trunk as a handle, short flow, flat bottom, bottom fall "daming xuande". Cover a round button, concise and generous. Rhinoceros horn pot material was beeswax yellow, mellow and delicate texture, there is a jade-like warm feeling, highlighting a noble and elegant. Our wine culture since ancient times, the shang and zhou dynasties have been horn wine vessels. Because the horn of the rhinoceros rhinoceros horn has the function of clearing heat and detoxification, calm panic and hemostasis, to the horn cup wine and drink is a fashion lifestyle of dignitaries in the Ming and qing dynasties. Pine implied longevity, this theme in jade carving or rhinoceros horn is rare.
This lot for the ancient horn of the original horn ornaments, the whole body is amber, with a layer of soft amber luster, rich aura, paoya ying run, ancient meaning. Rhinoceros horn surface texture can be seen full of "bamboo silk lines" , its inclined surface to feel similar skin goose bumps, so its lines may also say "hair silk lines". This is the unique natural color of rhinoceros horn texture of the beauty of other materials can not be replaced. Rhinoceros horn itself of the medicinal value and ornamental, it is rare. (customs code printed at bottom).
Cup exposure, stomach, flat bottom. External relief three chi dragon and a dragon head title ring; Pour cup bottom carving as the first, a pair of hypertrophy relief and the glass on both sides of the respectively, and the elephant a long trunk Pan formed from bottom to mouth along the cup, inverted cup, elephants, binocular smooth inspect ahead, look very healthy, meaning "peace have elephant". The bottom of the cup is engraved with "qianlong year" style. This cup color such as steamed chestnut, vessel - shaped huge, bold and simple. Using embossment and hollowing techniques, with a powerful knife, meticulous and realistic carver, extraordinary vision, is a treasure of rhinoceros carving.
One side of the pen container USES relief techniques, relief characters and scenery, composition, characters have charm, all vivid and natural, lifelike. The other side is engraved with wang meng's poem, followed by "second green li yuandu" and "second green " chapter. It is really rare that the whole ware is exquisitely made and well preserved.
WT:4599g H:22.7cm BD:21.5cm
Mammoth tusks are a relic of prehistoric biology. Mammoth molars are composed of many dental plates, which are closely arranged and are separated by a developed layer of chalk. At present, such a complete fossil of mammoth ivory molars is very rare. This fossil is very complete and crystalline, which is a rare fossil. It also has very important academic value for studying and exploring the footprints and distribution of ancient human activities and has certain collection value.
This horn cup, light brown, antique bronze cup shape. The authors saw off the tip of the rhino horn, picking out the excess, heating the three feet out of the ivory shape. Round rim, without modification, to show natural beauty. The belly of the cup gradually gathered, and in the form of low relief, carved on the belly wall of the cup with chi dragon around a week. The rhinoceros horn cup in the composition of patterns, pay great attention to the use of density, complex , shallow, dynamic contrast, but also pay attention to the use of size and depth of contrast, depicting the object of clear priority and priority, vivid image. Carving, knife, circular carving, relief and matching, a variety of carving techniques into one , fine decoration, smooth lines and a strong sense of integrity, reflecting the early qing dynasty archaize art typical style, is the treasure in the art of rhinoceros horn.
Meteorites, also known as "meteorites," are cosmic meteors or dust fragments that have left their original orbits outside the earth and quickly scattered to the surface of the earth or other planets. The surface of the iron meteorite shows the luster of iron oxide; And the surface is full of pits and scars, with obvious flume lines, air marks, grooves, shell and other obvious features, and magnetic, complete appearance, with high scientific research value and collection value.
Lunar meteorites are moonstone breccia, rocks that were ejected from the moon by an asteroid and fell to earth. When a large asteroid or comet impact the lunar surface, the surface material injection can reach escape velocity (2.4 km/s) of the moon to space, some of the capture and down to earth by the earth, this shows that the moon rocks is closely related to the impact event into a pit on the surface of the moon, especially big an asteroid striking body low Angle more conducive to escape of the ejected material. Lunar meteorites are achondrites because of magma differentiation on the moon. The size of this meteorite is very large in the moon meteorites found so far, and it shows the crystal texture of several central radial craters, which is rare and rare.
The main components of ferric meteorites are silicate and nickel-iron alloy, and their collection value far exceeds the surface value of meteorites. Each stone iron meteorite is unique, their historical value and scientific research value are rare, but also the human productivity can not create.
This gold ingot is golden bright and heavy. The dragon ball on the surface is natural and appropriate, with spindle shape regulation, obvious style, clear stamp, original coating, and beautiful product, which feels heavy in your hand. Gold ingot like this, it has accumulated years on its body, but also has the history and culture, it surpasses the pure gold itself naturally, it has great collection value, the bottom of the gold ingot is sunken, the inside is printed with the word "pure gold" , the whole shape is like a boat, the whole coating is natural, and has obvious traces.
清代風格，重量63G 長53mm寬42mm 厚12mm。此件正反兩面浮雕翡翠挂件，老料。一面雕“壽”字寓意長壽，一面雕“花卉”寓意吉祥如意。此件為官戶或大戶人家的藏品。以去地浮雕琢以壽字紋、植物，畫面生動異常，種頭細膩，雕工精美，色澤辣綠，是珍貴稀缺，一物難求的極具珍藏，高增值，具歷史特徵的物品。隨著時間的推移，如能收藏到精、珍、稀三個特點都有的翡翠，投資收藏無疑為一種投資保值的最明智選擇。
Qing dynasty style, weight 63G 53mm long 42mm wide 12mm thick.This two - sided relief jade pendant, old material. One face carving "longevity" meaning longevity, one face carving "flowers" meaning good luck.This piece is in the collection of government or large families. To go to the ground to float carve with longevity character grain, plant, the picture is vivid abnormal, kind of head delicate, fine carver, color hot green, is rare and scarce, a thing is hard to find very collection, high value added, with historical characteristics. As the elapse of time, if can be collected to essence, treasure, rare 3 characteristics all have halcyon, investment is collected for a kind of investment to maintain value undoubtedly the wisest choice.
Amitabha Buddha. Amitabha, loosely translated as immeasurable longevity, immeasurable light. Tantra, on the other hand, takes the form of amitabha Buddha as the Buddha of immeasurable light, who is reaped as the Buddha of immeasurable longevity. In Tibetan Buddhism, he is not only the master of the western paradise world, but also the Buddha who can give life and happiness to all living beings, so his belief is very common. The boundless longevity Buddha, white tara, and zunsheng Buddha mother are also known as the three Tibetan Buddhism longevity, auspicious symbol of longevity, often used for birthday occasions, to pray for longevity and blessing.
Da hong pao jixue fang zhang, the whole body bright red and gorgeous, full blood coagulation, thick as paint, is a da hong pao boutique, especially rare, extremely valuable for collection.
This south red agate flower insert, carved from the whole south red agate, using deep relief and carving technique of expression, the craft is extremely exquisite, the cutting is even, the color is ruddy, very rich aesthetic feeling.
The box is made of silver, rectangular, and the whole body is decorated with flowers, tree stones and figures in low relief. The lid of the box depicts a group of characters in a realistic way. Fine fine decoration, coating thick, good phase .
Bronze mirror, round knob, knob base outside a round lattice, round lattice arranged with four nails. Nail grain rich connotation, meaning of good luck, to avoid harm; He was large and imposing.
The whole bronze quality is fine and solid, gilt and bright, fine and smooth decoration, auspicious decoration theme, with a strong palace atmosphere.
Fine copper for material, gilt, thick and calm, gold brilliant. Chi dragon for looking back on the shape, the overall modeling vigorous and powerful, grasp the drop hand, extraordinary momentum.
Convergence mouth, arc abdomen, shallow concave bottom, bearing four satisfactory clouds and feet. The outer wall is shallow relief with eight auspicious patterns. The front and back ports are carved with peach patterns. The front and back ports are carved with peach patterns on both sides, and the bat movable ears are carved with peach patterns on both sides. The fine and smooth sculptor is a masterpiece of palace jade carving.
Unique system, to the theme of the dragon, cutting system and its neat, double-sided slope plus fine Yin line arc carving. Can be the current boutique. This jade bag slurry is rich and thick, as if from another life, and this ancient jade knife method is exquisite, the decoration is more exquisite, the collection has the appreciation value, and the high ancient jade in the cultural connotation and the historical value is also worth studying deeply.
Ni zan (1301-1374) was a painter, poet, and a native of wuxi meili, changzhou, jiangsu province. Zi-yuan town, no. Yun-lin, jing man-min, and huang gongwang, wang meng, wu zhen three people called "yuan four." His paintings take landscape as the main subject, the composition is simple, the artistic conception is sad and lonely, depressed and indifferent.
趙少昂(1905~1998 )字叔儀，男，漢族，原籍廣東番禺，中國畫家。業餘自學繪畫。趙少昂擅花鳥、走獸， 繼承嶺南畫派的傳統，主張革新中國畫。他的畫能融匯古今，並汲取外國繪畫的表現形式，同時又注重師法造化。作品筆墨簡練、生動，形神兼備，深受人們的歡迎。
Zhao shaoang (1905~1998) zi shuyi, male, han nationality, native place panyu, guangdong, Chinese painter. Painting by myself. Zhao shaoang is good at flowers, birds and animals, inheriting the tradition of lingnan school of painting, advocating innovation of Chinese painting. His paintings can integrate the ancient and modern, and draw from the expression of foreign paintings, while paying attention to the cultivation of art. His works are succinct, vivid, vivid and vivid.